Hand-flavor, phrase, son-maat (손맛), embodies a flavor that defies description. Its origin lies in love, crafted with affection for those cherished individuals. Most significantly, hand-flavor becomes a defining aspect of one’s identity/personalized essence. Michael Hong delves into the evolution of his hand-flavor through his research. By interweaving materials emblematic of a South Korean household, he investigates the intricacies of his relationships from the familial to everything within the sphere of his life in Koreatown, Los Angeles.
Michael Hong, 큰 손, (Big-Hand), 2024. Stoneware, aluminum silver leaf, rice bag, 25" x 17" x 72”. Photo: Jacob Chung.
Michael Hong, 식탁에서 먹어 (Eat at the Table), 2024. Epoxy resin, soy sauce, garlic, acrylic sheet, yarn, wood, 24" x 24" x 73”. Photo: Jacob Chung.
Michael Hong, Playing/Working, 2024. Stoneware, pepper flakes (import of Korea), rubber tub, 30"x 30" x 73". Photo: Jacob Chung.
Michael Hong, Sunday Christian, 2024. Stoneware, epoxy resin, scrubby yarn, styrofoam plates, 23" x 19" x 73”. Photo: Jacob Chung.
Michael Hong, At What Cost/만세 (Hooray), 2024. Stoneware, working gloves, cotton gloves, artificial grass, repurposed fabric, 2024, 20"x 11"x 67”. Photo: Jacob Chung.
Michael Hong, 뭘 했다고 쉬어? (What Did you Do to Deserve Rest?), 2024. Stoneware, epoxy resin, cucumbers, table, vinyl, cardboard2024, 56" x 56" x 73”. Photo: Jacob Chung.