Alí Meyer
Photo/Media
Abstract
As a queer artist, I have been warned often about using the term “identity” to describe what I explore in my work. This is truthfully good advice; identity is something that feels incredibly liberating and yet, when examined, becomes an inflexible framework of understanding oneself through systems that often seek to oppress.

I am interested in the limitations and delineation of identity, identifying, and identification. Through autobiographical photography, video, performance, and 16 millimeter film, I explore what identity can and cannot reflect to an audience. My practice is visually defined by sterility, physical mark making, digital disruption, and intentional obscuration to find or hide parts of my true self within the work. In doing so, I hope others can turn inwards and examine the complexities of their own lives outside of the systems that make identification so rigid.
A portrait of a person that has been digitally altered to seem distorted and glitching, with many black or 'dead' pixels.
Ali Meyer, Identification Photo (Self-Portrait), 2024. Single channel video projection, 18” x 18”. Photo: Jacob Chung.
An assortment of photographs thumbtacked to a white wall. In each image, there is a figure with curly brown hair and a completely white and luminescent body devoid of any facial features.
Ali Meyer, 503 E Thomas Street, 2023. Archival prints, 12” x 12”. Photo: Jacob Chung.
A portrait of person outside by a building and trees. The person is obscured by thick white scratches.
Ali Meyer, EMBODIED CHANGE II - VII, 2024. Digitized 16mm film, projected, 00:00:01:91. Photo: Jacob Chung.
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Committee
Flint Jamison, Chair
Rebecca Cummins
Victor Yañez-Lazcano
Education
MFA, Photo/Media, University of Washington, 2024

BFA, Film, University of Central Florida, 2021
Contact
InstagramEmail
Awards + Accomplishments
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